'I've just finished a manuscript called Anti M in what I'm calling 'omitted prose'. Omitted prose is when you write an entire work in continuous prose sequences – filled-up pages with paragraphs, chapters, and the like – then go through it and selectively remove a large portion (in the case of Anti M, most) of the words according to selection principles such as sound and phrasal and lexical significance. The retained words are largely kept in the same location they occupied when the other words were all around them, thus page space is activated in new ways. The prose and/or narrative architecture remains quite strongly in place even after the occlusion of the majority of supporting representational structures.'

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